We invite you to a day with open studios and fruit harvesting in Munch’s garden.
Nettopp Nettverk’s big netmaking project
Per Hess, Morten Viskum and Nettopp Nettverk w/EllaAandal, Sigrid Bjørbæk and Kjetil Berge open the doors to their studios.
Nettopp Nettverk will also organise a knot making workshop in the garden, inviting you to help knot a big net that will cover Kunstnernes Hus later in the autumn.
Bring baskets, a small ladder if you have one, and picking tools and come pick apples and pears for your own use.
Morten Viskum in the north studioPer Hess in the printmaking studioApple harvest
Did you know that visual artists work year-round at Edvard Munch’s Winter Studio at Ekely in Oslo? The building has three studio spaces: the skylight studio, the north studio and the printmaking studio. Artists rent the studios on a monthly basis. If you work professionally as an artist you are invited to apply! The deadline is September 1.
This spring we’ve been happy to host Berlin-based artist Tyra Tingleff as artist-in-residence at the Ekely Studio Residency. Please join us for an early summer evening now as her stay is coming to an end. Tingleff is showing a collection of different works, amongst them several new paintings from the series Headache / Ghost. These continue the new direction in Tingleff’s painting practice, which became apparent in the 2025 exhibition Pulse / Pause.
At 5:30 pm Tingleff is joining director of Edvard Munch’s Studios, Marte Jølbo for a short conversation on her paintings, process and the stay at Ekely. The conversation will last approx. 20 minutes.
Printmaking studio and the small studio Munch’s Winter Studio, Jarlsborgveien 14 May 30, 15-17h
Welcome to the graphic workshop and the small studio where Solveig Landa and Sarah Pickstone show what they have been working on during their stay at Ekely.
“During this time the large pear tree framed by the studio window, has quickly come into flower. I have made paintings in response to the timing of the tree, working with the idea of ‘the present’. Present in English has several meanings – to be present in time, to give a present (in this context the gift of time in this studio) and to present, to show or display (both tree and hopefully paintings).”
–Sarah Pickstone
“I use stencils cut from cardboard in series of mono prints. I explore variations and juxtapositions of shapes and motifs. I work intuitively and directly in the printing process. The motifs are abstract and simple shapes that have references to nature and man-made constructions and machines. All are visual elements in our surroundings, and I describe the contrast and tension that I observe between manufactured constructions and nature.”
–Solveig Landa
Sarah Pickstone, small studioSolveig Landa, printmaking studio
Welcome to Open Studios, Saturday April 18 from 12-5 pm
Artists Stein Rønning, Roddy Bell and Solveig Landa open the doors to their studios, giving a unique insight into what it’s like to work in Edvard Munch’s Winter Studio today. Rønning has converted the large studio into a sculpture workshop for a few months. In the small studio, Bell shows his work with portraits and in the graphic workshop, Landa is producing new works for an exhibition on the West Coast of Norway.
If the sun is shining, Papegøye will do a pop-up café this Saturday. Papegøye is a café and wine bar on Grønland in Oslo that serves specialty coffee, with great respect for the craft. At Ekely you can get both coffee, iced coffee, cookies, lemonades and bags of coffee beans.
Welcome!
Stein Rønning in the large studio Get an insight into Rønning’s process while he works on a series of sculptures in clay, plaster, wax and silicon.
Roddy Bell in the small studio Bell presents paintings and drawings from the past two years, exploring his approach to portraiture.
Solveig Landa in the graphic workshop Landa is currently working with developing a technique for monoprinting, combining it with copper etching.
Papegøye is a café and wine bar on Grønland in Oslo that serves specialty coffee with great respect for the craft. In the evenings, Papegøye becomes a cozy wine and drink bar. Everything is 100% plant-based, and the menu is thoughtful and healthy. At Ekely you can get coffee, iced coffee, cookies, lemonades and bags of coffee beans this Saturday.
Papegøye is run by a handpicked and skilled team, and many have distinguished themselves in national and international coffee competitions. Additionally, the owners and several of the baristas have a background in culture, dance and music, cherishing the importance of quality, warmth and genuine human contact in the café.
We look forward to creating some of the same atmosphere at Ekely this Saturday!
We’re sorry to inform that the open studio with Volodymyr Filippov that was happening simultaneously is cancelled due to illness.
This exhibition at Edvard Munch’s Winter Studio at Ekely presents the outcome of Studio Munch House, a course initiated in January 2026 that brings together students from The Art Academy in Bergen and throughout the Nordic and Baltic region. Working in teams, participants explore the speculative reconstruction of Edvard Munch’s demolished house as an imagined centre for art and creativity. Fieldwork in Bergen and at Ekely, material experimentation, and reflective writing have shaped contextually grounded works that respond to place, memory, and process. Across its iterations, the exhibition proposes the studio as a living structure, one that absorbs history, weather, and time, and remains central to how artistic knowledge is produced, shared, and reimagined. The exhibition is part of Eamon O’Kane’s stay.
Wednesday 11 March 18.00-20.00h Open Studio: Eamon O’Kane
O’Kane will present works in progress from his ongoing series inspired by Edvard Munch and the unique atmosphere of Ekely. The project reflects on Munch’s late practice, the architecture of the Winter Studio, and the surrounding landscape, reinterpreting them through O’Kane’s contemporary lens. Visitors are invited to experience the evolving body of work in the very space that continues to shape its making.
Eamon O’Kane (b. 1974, Belfast) works in various mediums such as painting, sculpture, print, drawing, photography, video and installation. O’Kane has had more than 90 solo exhibitions and over 200 group exhibitions in Ireland, Germany, Denmark, Norway, Switzerland and the USA among other places, and has taken part in biennales such as the Norwegian Sculpture Biennale, Dublin Contemporary and EVA Biennal.
Where: Small Studio, Jarlsbergveien 14
Courtesy Eamon O’Kane
Saturday 21 March 13.00-17.00h Open studio and performance: Liv Strand
At 15.00h the artist activates her woodcut sculptures in a performance.
Liv Strand shares the process behind the large paper work “Grafisk distans” (Graphic Distance). “Grafisk distans”is a sculptural play with laws and established boundaries. In several places in Oslo,Strand has depicted floors using frottage. She has visited a couple of floors in institutions that can be said to be part of society’s organisational infrastructure. The floors form the foundation of each building, and by extension, for the agreements that regulate the lives of the citizens. The depictions focus on details, and back in the studio, Strand adds more prints with images that are literally rolled out over the paper using rotating woodcut sculptures.
Where: Guest apartment, Gråbrødreveien 10F
Courtesy Liv Strand
Tuesday 24 March 18.00-20.00h Open Studio: Volodymyr Filippov and student exhibition:
Filippov has spent three months at the graphic workshop at Ekely. One of the projects he has been working on is a series of works that document the daily destruction and losses caused by the war in Ukraine.
Through a sober, almost archival approach, every day is materialised as a graphic imprint. The project moves in the borderland between documentary and abstract art, where each tragedy and each loss is translated into a graphic statement.
Volodymyr Filippov (b.1968, Sevastopol, Ukraine) has been living in Sande in Vestfold since 2022. As an artist with migration experience after the full-scale invasion of Ukraine, he works in a field where personal biography meets collective experiences of loss, rupture and displacement. His practice has roots in video installation, performative actions and readymades, but in recent years has turned more clearly towards material-based “time capsules” – corporeal and tactile memory archives.
Where: Graphic workshop, Jarlsbergveien 14
Courtesy Volodymyr Filippov
Student exhibition: Studio Munch House
This exhibition at Edvard Munch’s Winter Studio at Ekely presents the outcome of Studio Munch House, a course initiated in January 2026 that brings together students from The Art Academy in Bergen and throughout the Nordic and Baltic region. Working in teams, participants explore the speculative reconstruction of Edvard Munch’s demolished house as an imagined centre for art and creativity. Fieldwork in Bergen and at Ekely, material experimentation, and reflective writing have shaped contextually grounded works that respond to place, memory, and process. Across its iterations, the exhibition proposes the studio as a living structure, one that absorbs history, weather, and time, and remains central to how artistic knowledge is produced, shared, and reimagined. The exhibition is part of Eamon O’Kane’s stay.
In cooperation with the Goethe-Institut Norway, the Edvard Munch Studio Foundation invites one or more visual artists residing in Germany to a residency from October 1st to November 30th, 2026. The studio residency takes place in an apartment on the former property of Edvard Munch in Oslo.
Deadline March 10, 2026
View from the garden at Ekely. Copyright: Stiftelsen Edvard Munch’s Atelier
During their stay, residents are invited to engage with themes or questions that in some way relate to the life and work of Edvard Munch.
Edvard Munch (1863–1944) still plays a major role in the cultural relations between Norway and Germany. He lived in Berlin and Warnemünde for many years and achieved after initial rejection, his breakthrough as a pioneer of modern art in Germany. After many turbulent years and health issues, he returned to Norway and acquired a property in Ekely, a then suburb of Oslo. There, Munch created an inspiring, nature-oriented artist’s retreat where he lived for 28 years until his death in 1944.
Today, Ekely remains a quiet, green district of Oslo where many artists have settled. In the 1950s, an “artist colony” was established there with 44 live-work units containing both housing and studio spaces for visual artists. The Munch-Goethe studio residency is housed in one of these artist apartments, thus offering opportunities to build contacts with Oslo-based artists. The apartment is located at the end of a terraced house with 6 units. It was built in 1959 after design by the famous Norwegian architects Jens and Wenche Selmer.
Whom we fund
The program is aimed at full-time practicing visual artists, with dynamic and contemporary projects and exhibition profiles who have been resident in Germany for at least two years.
A degree in arts or equivalent qualifications is required.
We particularly welcome applications from artists at an early stage of their career. In addition, we encourage artists who want an introduction to the Norwegian art scene to build up new networks.
What we fund
Free accommodation in a spacious artist’s apartment with integrated studio in Ekely, Oslo:
The apartment includes a 32 m² studio with large north-facing windows, skylight and a separate entrance. The living space has two bedrooms, a kitchen, a living room, a bathroom, a garden, and a terrace. The total area is 102 m², and the communal garden may be used.
The apartment allows residents to bring family or partner, or to apply jointly with up to two artists. Note: Please be advised that the stipend and allowances will not be increased in the event that two artists or family members are staying.
The studio is suited for working within many forms of art media, as long as the interior is not taking damage from the work. Please note that all materials and tools must be provided by the artists themselves.
Stipend: €2,000 per month
Travel allowance (round trip from Germany): €500
Residents commit to participate in up to two public events such as an artist talk, open studio, or similar.
During the stay, the Edvard Munch’s Studio Foundation and the Goethe-Institut will offer professional advice and support, as well as networking opportunities to the art scene.
After the residency period, the residents must submit a final report and complete a short evaluation. The residents will be listed on the alumni portals, the websites and social media channels of the Goethe-Institut and the Edvard Munch Studio’s Foundation.
The artist will commit to mentioning the Goethe-Institut and Edvard Munch’s Studio in relation to the artistic production resulting from the residency.
Funding criteria
Quality of the proposed project
Artists developing practice/research relationships in Oslo/Norway
Expressed and perceived need for the award
Willingness to engage with the communities of Goethe-Institut and Edvard Munch’s Studios
Information on application process
Required documents
1. A letter of motivation (max. 500 words) including:
Why are you applying for a residency at Ekely?
What is your connection to Edvard Munch and to Norway?
Which project do you plan to work on during your residency that relates to the life and/or themes of Edvard Munch? Please provide a short project outline.
2. Current CV with links to your website or social media accounts (max. 2 pages)
3. Insight into your artistic practice: images (up to six) and/or links to video/audio excerpts (max. two minutes), as well as links to relevant artistic projects.
4. Idea for a public event to share your artistic experience through the residency with the community.
Please test links/images whether they work and are saved in optimum format for panel viewing. Late applications will not be considered and due to volume of applicants, feedback cannot be given.
Please send your application in English by March 10th, 2026, 12:00 pm as a single PDF file (max. 10 MB) to: Jeanette.Warnick.Danzer@goethe.de
Your data will be processed in accordance with legal requirements.
Please note that communication by email is unencrypted and may have security vulnerabilities.
Selection process
A jury composed of representatives of the Edvard Munch’s Studio Foundation and the Goethe-Institut will select the resident(s).
The jury will inform you of their decision by the end of April 2026.
During August and September 2025, the camera-based artist Katinka Goldberg worked at Edvard Munch’s Studios. For the weekend September 27-28 she held an Open Studio where she exhibited her project I Live Outside the World.
This was the first time Goldberg worked with large-format paintings in combination with photography and collage. For the exhibition she also collaborated with the singer, composer and actor Frank Havrøy on a new sound work, streaming out from small stone sculptures.
Thematically, Goldberg investigated how the memory of a person is linked to the tactile. The work at Ekely was a memorial work that dealt with her stepfather, the painter Stig Lundgren, and their relationship. As a strategy for remembering her stepfather, Goldberg painted directly onto photographs – painting herself into their common world again.
Katinka Goldberg at EkelyKatinka Goldberg – I Live Outside the World. Photo: Tor Simen UlsteinKatinka Goldberg – I Live Outside the World. Photo: Tor Simen UlsteinKatinka Goldberg – I Live Outside the World. Photo: Tor Simen Ulstein
2 residency periods are available for application in 2026:
1: February – March (8 weeks)
2: July – September (12 weeks)
The foundation Edvard Munch’s Studios offers a studio residency for professional artists in one of the artist apartments at Ekely in Oslo. The apartment is located at the end of a terraced house with 6 units. It was built in 1959 after design by the famous Norwegian architects Jens and Wenche Selmer. The apartment has a spacious studio of 32 m² with large north-facing windows, a skylight and its own entrance. The integrated apartment has two bedrooms, kitchen, living room, bathroom, garden and terrace. A total of 102 m².
Professional artists who need to work in Oslo for a period of time can apply for a residency. The apartment makes it possible to bring family or be up to three artists applying together.
Residency artists commit to participate in a public event during their stay such as an artist talk, open studio or similar.
The program include a small monthly stipend of NOK 3000,-
The foundation also covers travel costs up to NOK 5000,- *
*Please note that if you apply as a group the stipend and travel costs are per period, not per artist.
Kim Hankyul will work at Ekely for four months up to his exhibition SOLO OSLO, which opens at MUNCH on 27 February, 2026. He’s going to show his most ambitious work yet: a more than five-metre-high immersive installation suspended from the ceiling. His residency is part of our collaboration with MUNCH.
Four members of the artist group Ecophilosophic Dialogues will work in the graphic workshop in November. Hildur Bjørnsdottir, Gíslína Dögg Bjarkadottir, Elva Hreiðarsdóttir, Soffía Sæmundsdóttir are all part of the group exhibition Bergmál/Ekko that opens at the Icelandic ambassador’s residence in Oslo on November 10.
Welcome to Ekely on Wednesday October 29th for open studios with artists Ragnhild Nes and Suleman Aqeel Khilji. Nes has been working in Edvard Munch’s winter studio for two months, while Khilji has been here for the month of October.
Date: 29.10.2025
Time: 16.00-18.00
Place: Edvard Munch’s Studios, Jarlsborgveien 14, 0377 Oslo
Ragnhild Nes. Photo courtesy the Artist.
Ragnhild Nes (b. 1993, Norway) works primarily with non-figurative oil painting, where text forms a poetic starting point for the painting. Colour and materiality are developed layer by layer through oil, pigment and medium. In parallell, she’s working with sculptures in metal, solid wood and clay, exploring them as spatial translations of the paintings’ compositions. At Edvard Munch’s Atelier she’s been working both in the studio and in the garden, where she has developed two metal sculptures and the series red red fire fire for an upcoming exhibition in Beijing in 2026.
Suleman Aqeel Khilji. Photo courtesy the artist and STANDARD (OSLO).
Suleman Aqeel Khilji (b. 1985, Pakistan) is a London-based artist whose practice explores memory, identity, and the poetics of representation through painting. He received his BA from the National College ofArts, Lahore (2011), and completed his postgraduate studies at the Royal Academy of Arts, London (2025). Rooted in both personal and collective narratives, Khilji’s paintings engage with the shifting relationships between image, memory, and presence, bridging geographies of experience from Quetta to London and beyond.
In July, German artist Claudia Kapellusch stayed in the studio residency at Ekely. Kapellusch’s stay was a collaboration with the Edvard Munch Haus in Warnemünde, supported by the Willy Brandt Foundation. Below you can read a summary of Claudia’s stay:
From the sound of the tiny Work stay in Oslo Ekely in July 2025
Arrived with great anticipation and curiosity in the studio and apartment of the Stiftelsen Edvard Munchs Atelier in Oslo, I was now allowed to start it, my journey of discovery, my time in Ekely. Following the plan to devote my attention to the oldest plants of our earth, the algae, in addition to the flora of the Ekely Garden, I turned for the time being to their occurrence in the nearby fjord.
Soon, however, the first rays of sunshine of the early morning hours lured me to their enchanting play with light and colour under the apple, pear, and cherry trees between which Edvard Munch had once stood with his easel. This morning spectacle, in which the sun made the garden shine piece by piece in its summery colours, in order to “turn on” the light in it – finally arrived at the windows of the studio house – made me the first guest in the Ekely Garden.
This spectacle needs no audience, no applause. For my sake, I found myself morning after morning punctually among the fruit trees, enjoying the beauty of the moment and daring to try to capture nuances of what I had experienced.„….At best, this is about entrusting oneself to the still unknown in many ways, the game of nature.
…Such a deep sinking, a true surrender to an unpredictable event allows me to collect and process dust, sediments and other ground or ground components of our environment.“ I described the intention of my work in the project outline for my stay.
Dust is my material. The tiny particles that surround us everywhere, floating or lying like “skin” on all things represent untamed and in fascinating colour the limits of what is visible to us. Astonished I drew daily coloured, fragrant and dancing material from this small, so special world in Ekely. The naturalist and explorer Alfred Russell Wallace will have felt something similar when he wrote in his essay “The Wonderful Century” in 1898: „Half the beauty of the world would vanish with the absence of dust.“
The gnarled old fruit trees in the garden welcomed me into their shadows, were a link – dispensable was the pinch of dust that I brought with me as a small bridge between the two places from Warnemünde, from the beach where Munch painted in 1907 and 1908 and in whose immediate vicinity I work today, and Munch’s Oslo residence – between the past, the present and the future, and a hiding place at the same time. Unconditionally I was allowed to be a guest, undisturbed I caught particles, extracted, drew, photographed, immersed myself in works by Przybyszewski and Supervielle or could take time for the sound of the tiny. Even if I probably had some conversation with him, with the great painter, here in his refuge, I can not say how decisively this place, its silence, its colours, its light, its fragrance and the “invisible”, the tiny played a role in his work, which often reveals itself to us in such vulnerability. I can only guess, very much.
On October 22, the entire Munch network was invited to the opening of the new MUNCH museum, where Mayor Marianne Borgen and Director Stein Olav Henrichsen welcomed the network.
Afterwards, there was a gathering at Edvard Munch Studios at Ekely with good conversations and food and drink.
On 22 September, the Foundation invited the housing association at Ekely to see the upgrade work carried out in Edvard Munch’s studio. The chairman of the board says a few words about the work that has now been completed.
Director of the MUNCH Museum Stein Olav Henrichsen congratulated the work.
One of the current stars of the Norwegian music scene has been allowed to use Munch’s “muratelier” as a sounding board for AD_VENT 2020. The virtuoso instrumentalist is known throughout Europe for their complex and beautiful sound structures and for their unique “open sound”. Many collaborative projects have led to Spellemann Prizes and scholarships – despite this music being rather out of the box. It transcends most musical concepts such as jazz, philharmonic music, rock, and film music.
Stars are also the inspiration for the visual artist who will decorate this pearly gate. This Norwegian artist has been featured in the Wall Street Journal and won awards in London for their repetitive musical structures.
The application deadline for renting a studio and the graphics workshop in 2023 is 1 October 2022. You can see the requirements for the application under Rent a studio space
The application is to send to: post (a) edvard-munchs-atelier.no
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